My one year anniversary...of work!

The closing performance of the last show I stage managed was exactly one year ago.  Which means that I have been working for myself for...exactly one year. (Okay this is not *exactly* true: there was a two-week coaching gig I had at the National Theatre School and there was a small week-long workshop sometime last fall but...this is much more poetic, right?).

So I tallied up all of the projects I had completed in the past 365 days and made this simple, colourful chart.  I was surprised to see that I've done more Print Ads than anything. This chart is funny to me, though - while the Print Ad blocks look like a big chunk of work, each ad took very little time to do. Something like Visual Identity (the last block) would have taken hours and hours, but since I've only done one of them it gets only one little square of space. It would be fun - and a whole heck of a lot more math - to redo this chart with estimated hours spent on each project. Oh gosh, I *am* a nerd.

I've been so grateful for the work this past year. I just wanted to take a moment and acknowledge that. It's on days like this I feel that maybe, just maybe, I can pull this whole thing off.

Happy Norooz

I was commissioned a few weeks ago to design an invitation for a Norooz, or Persian New Year party! Part of the fun was the research (yes, I'm a nerd) into the colours and symbols most associated with and important to the festival.  The person who commissioned the invitation also wanted it to reflect her personal leanings towards the modern, so I was happy to give it a bit of a contemporary twist.  I also nearly fell down a rabbit hole of paisley patterns, but that's maybe a story for another time.

If you or someone you know is in need of a custom invitation this coming Spring and Summer, just email me at kinnon [at] for a quote! I would love to hear from you.


I've been living with the phrase "Toronto's my home and I'll be here all weekend long" swirling around my head for years now. I even named a series of architectural buildings prints using it (though it is sadly impractical and may have to be retired). It's from Matthew Barber's song "Dust On My Collar" and, in it, he repeats the line three times, singing with such joy and determination. I've always felt it was a bit of an athem: No, I don't live in the city and escape to the country on weekends. No, I choose to go out and explore and wander and get lost in amongst my city's buildings and neighbourhoods. I want to live here, and I want to live here, warts (and stuck streetcars, and raccoons, and traffic) and all.

Speaking of those architectural prints, if you happen to live here in Toronto, you can now buy them at Telegramme Prints! Telegramme has long been one of my favourite print shops here in the city, so I am thrilled, thrilled, thrilled that they've joined the Telegramme family.